Richard Ashcroft’s Money To Burn video, directed by Jonathan Glazer, signalled his arrival as a solo artist after The Verve, pairing cinematic visuals with soulful rock ambition.

Mumford & Sons and Hozier finally deliver their first studio collaboration with Rubber Band Man, a soaring folk anthem produced by Aaron Dessner.

Elton John’s Captain Fantastic And The Brown Dirt Cowboy turns 50. The landmark 1975 album that charted Elton and Bernie Taupin’s early struggles is being reissued with demos, live recordings, and the ...

Hayley Williams has released Good Ol’ Days, a new single from the final physical edition of Ego Death At A Bachelorette Party, out 7 November.

The Beatles’ I’ve Just Seen A Face (Take 3) from the upcoming Anthology 4 offers an intimate look into McCartney’s 1965 recording sessions and the band’s mid-decade evolution.

The All-American Rejects have dropped their new single “Eggshell Tap-Dancer,” the latest taste of their upcoming 2026 album Sandbox.

Live At The Roxy Theatre (25th Anniversary Edition) will be released 7 November 2025 via Oglio Records, featuring 40 tracks across 2CDs, newly unearthed recordings, and the first-ever vinyl edition.

Karen Freedman reviews Pavlov’s Dog’s much-anticipated Melbourne debut at The Corner Hotel, 24 October 2025, a night of nostalgia, humour, and musical brilliance.

Blondie will release No Exit (Remastered & Expanded) on 31 October, celebrating the album’s 26th anniversary with rare remixes, unreleased tracks, and a Coolio collaboration.

The Halo Effect deliver a powerful new version of Phenomena’s Dance With The Devil, taken from their upcoming EP We Are Shadows out 21 November.

Softcult, the Ontario sibling duo, release their new single She Said, He Said from debut album When A Flower Doesn’t Grow, out January 30, 2026, confronting injustice and empowering survivors.

Elton John’s Rock Of The Westies turns 50, marking half a century since the 1975 album topped the Billboard chart and introduced a fresh new band sound.