Resident Evil Resident Evil Requiem's demo tops the series' scariest moments with what might be the most upsetting monster Capcom’s ever devised, and as a horror baby I'm afraid of how much I ...

Jack O’Connell had a secret weapon in his arsenal when he was cast as Remmick in Ryan Coogler’s latest film, Sinners: the ability to dance an Irish jig. Playing the antagonist vampire, who has ...

The best one shot takes in movie history: Boogie Nights, Goodfellas, Children of Men, Oldboy, Touch of Evil, Rope, and Hard-Boiled.

The second was the legendary opening to Welles’ classic noir “Touch of Evil,” an impressive display of mounting tension that is still being referenced and aped by filmmakers to this day. One-shot ...

An evil horde of warrior fanatics is racing across the inhabited universe, bent on converting every human to their insane religion of blood and honor. Their chief weapon: Merciless tickling. Well, not ...

The "oner," as a long tracking shot is sometimes called, has a distinguished history: There are the celebrated opening sequences of Orson Welles' "Touch of Evil" and Robert Altman's "The Player ...

The most recent film, Resident Evil: Welcome to Raccoon City, was a reboot that retold the stories of the first two games. The franchise has collectively made over $1.2 billion at the box office.

Touch of Evil smacks of brilliance but ultimately flounders in it. Taken scene by scene, there is much to be said for this filmization of Whit Masterson's novel, Badge of Evil. Orson Welles ...

James McAvoy Talks the Reimagined ‘Speak No Evil’ Ending and Not Being Afraid of Repetition. Some actors fear type-casting, but the 'Split' and 'X-Men' star doesn't mind if one role resembles ...

'Speak No Evil': House guests are too polite to flee a looming threat in well-executed horror film James McAvoy gobbles the screen as an Englishman acting strangely toward his new American friends.

This cynicism would become a hallmark of Welles’ later work, particularly “Mr. Arkadin” and “Touch of Evil,” films about power that seem heavily informed by the age in which they were made.