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Role Models is probably not remembered as much for its genre bona fides as it is for the largely inappropriate humor spewed from a vulgar scene-stealing grade-schooler, but we’d swear to Queen ...
Female role models have an amplfied impact on girls and women, particularly in fields long dominated by men. Raising the visibility of women is vital to inspiring the next generation of women to ...
Role models offer the ultimate shortcut for leveling up your knowledge because you’re able to learn vicariously from the positive (and negative) experiences of people who’ve come before you.
Role models who uphold high ethical or moral values are typically not the people whose stories make it to the press or social media. We’ve all been exposed to public figures who might qualify as ...
Sometimes a shamelessly stoopid, proudly profane R-rated comedy is all you want out of life. Role Models more than fills the bill. It’s killer funny. Cheers to Paul Rudd — he should be a star ...
I wonder if the Society for Creative Anachronism was a silent investor in “Role Models.” The film's major battle is as pumped as any butt-kicking in “The Lord of the Rings” with way better ...
The brand of humor found in “Role Models” is the kind that combines cynicism with cheerfulness. Paul Rudd plays a character so sour that it’s almost a joy for him to get into verbal disputes. Consider ...
Traveling around in a monster truck that may as well run on testosterone instead of gasoline, with a furry costumed Minotaur mascot as co-pilot (played by Seann William Scott of "American Pie ...
Initially, they really are role models, albeit with a corporately funded ulterior motive. Employed by Minotaur Energy Drink, Danny (Paul Rudd) is a spokesman and Wheeler (Seann William Scott), the ...
“Role Models” is the kind of movie you don’t see every day, a comedy that is funny. The kind of comedy where funny people say funny things in funny situations, not the kind of comedy that whacks you ...
Role Models (Universal) is funnier than it has any right to be. It’s the first mainstream movie from David Wain, a veteran of the comedy troupe the State who previously directed two sketch-based ...
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