The Tony Awards, honoring Broadway stage productions, are being held tonight, and Boop! The Musical is nominated for three Tonys, including a nod for Jasmine Amy Rogers for her starring role as ...

A Betty Boop musical shouldn't work. But with Jasmine Amy Rogers, it's 'phenomenal.' Patrick Ryan USA TODAY 0:00 ...

Jay's Hidden Treasures Flea Market & Gift Shop, in Lake Ronkonkoma, is a place where you can find collectibles such as Jeremy Chiaramonte's Betty Boop collection. Chiaramonte says Boop never ...

Two bombshells hit Broadway, but only one ignites “Boop!" makes a fresh star of the classic cartoon, while “Smash” banks on the rhythms of background television.

Following on the high heels of the 2023 hit film “Barbie,” “Boop! The Musical” likewise aims to remake and rebrand another dated pop character for contemporary times and audiences. Unlike ...

“Boop! The Musical” borrows from “Barbie” and “The Wizard of Oz,” takes on #MeToo Baddies and Eric Adams, and brings a show-stopping rainbow of joy to Broadway.

Betty Boop ventures from her black-and-white home to technicolor New York City. Matthew Murphy and Evan Zimmerman “Boop”’s plot, like its title, is monosyllabic. A to Boop.

The Betty we meet in “BOOP!” skews more closely to her original incarnation, the Jazz Age baby. Leading lady Jasmine Amy Rogers, in a star-making performance, models sexy, glittering costumes by Gregg ...

Performances in N.Y.C. Advertisement Supported by The It girl with the spit curl looks great for 100, but her Broadway musical, which feels like one big merch grab, is boop-boop-a-don’t. By ...

When, in the Act One finale, Betty joins Dwayne at a jazz club—and, in a La La Land touch, Dwayne, a white guy from the 2020s, sings a song to a flapper about how much he loves jazz—her ...

Boop boop a-doo, ha ha!” Betty, created at the height of the Jazz Age, is obviously modeled on flappers, and her relationship to music history has been a subject of debate and litigation.

Poor Betty was a victim of the Hays Code, or the Motion Picture Production Code, which in 1934 banned profanity and curtailed violence and sexual content in movies — even animated movies.