News

The art world labels Jerry Uelsmann a "post-visualization" photographer. But to Ansel Adams, he's "God's eighth wonder." "God created the world in seven days, but on the eighth day, he saw that ...
Jerry Uelsmann has spent more than half a century addressing those questions, and an extensive sampling of his answers can be found in “The Mind’s Eye: 50 Years of Photography by Jerry ...
Jerry Uelsmann ranks among a handful of photographers whose images form a collective consciousness for our times. Hands tear their way free from a glowing, egg-like orb. A miniature human figure tr… ...
“I try to keep my nerve endings very fresh and alive and sensitive. If you get too intellectual while you are photographing, you can talk yourself out of anything. You look at something and s… ...
On Air Now Playing WUFT 89.1/90.1 FM HD1; ... The death of legendary photographer Jerry Uelsmann at age 87 in 2022 saddened the photography world as it did fans and enthusiasts in Gainesville.
Since his first one-man show at the Museum of Modern Art in 1967, photographer Jerry Uelsmann's work has been exhibited in over a hundred solo shows and collected by major museums around the ...
Pioneering surrealist photographer Jerry Uelsmann has died. The word that the iconic 87-year-old photographer had passed away began to spread around the Gainesville creative arts community late ...
Online learning company lynda.com has published a feature-length documentary on the contrasting creative processes of controversial artists Jerry Uelsmann and Maggie Taylor. The newest in a series ...
Through June 30. If only Jerry Uelsmann had begun his career in the Photoshop era, said William Meyers in The Wall Street Journal. A half-century ago, this pioneering American photographer began ...
Pioneering surrealist photographer Jerry Uelsmann has died. The word that the iconic 87-year-old photographer had passed away began to spread around the Gainesville creative arts community late ...
Jerry Uelsmann, a photographer who ingeniously used darkroom techniques to manipulate his black-and-white pictures into surreal montages that anticipated by many years the digital image-editing ...
He did not believe that a photographer’s creativity ended with the click of the shutter; in his darkroom, he combined elements of multiple pictures to create something new.