Exploring Andrei Tarkovsky's filmography is like stepping into a surreal dream, where time moves more slowly, images don’t just imprint but are branded on your brain, and with every frame, you feel ...

In Andrei Rublev, there's the feeling that you are right there in the 15th century." Tarkovsky made the film, his second, under punishing conditions.

It’s all horrible. But contemplating the Anton essay, I went back to this clip from the 1966 Soviet film Andrei Rublev, the masterpiece by Andrei Tarkovsky, who was a religious believer.

Andrei Rublev (1966) was Russian director Andrei Tarkovsky’s second feature film. And while his debut, My Name is Ivan (1962), was the work of someone with a well-developed visual singularity ...

With his second feature, a towering epic that took him years to complete, Andrei Tarkovsky waded deep into the past and emerged with a visionary masterwork. Threading together several self-contained ...

The movie should not be mistaken, however, for a bio-pic. We follow Rublev’s wanderings, but we never actually see him paint, and in some parts of the story he fails to appear at all.

Andrei Rublev and Tarkovsky's other older films, such as his excellent and more dramatically straightforward debut Ivan's Childhood (1962), are available now on Mosfilm's YouTube channel.

The legendary "Andrey Rublev" by Andrei Tarkovsky, telling about the fate of the Russian icon painter, has been included in the program of the 80th Venice Film Festival. Viewers will also see a number ...

"To me he is a God." –Lars von Trier. Kino Lorber has revealed a new re-release trailer for Nostalghia, one of the last films Andrei Tarkovsky made in the 1980s just a few years before he passed ...

His previous movie, Andrei Rublev, played briefly in 1966 before censors shelved it until 1971, and his script for what ultimately became 1975’s The Mirror failed to gain traction in-between.