An ailing artist, a pair of scissors and one last ecstatic burst of creativity: Henri Matisse's "The Snail," on diplay in the Tate Modern's "Matisse Cut-Outs," opening April 17.

Matisse Thybulle on defending Luka Doncic: “You really don’t slow him down, because he moves at a snail’s pace. It’s just being physical with him, because he’s such a big guard.

The hot ticket in New York this fall is MOMA's exhibit of Matisse's colorful cutouts. Skip the lines with this virtual tour.

The former home of the iconic French artist Henri Matisse has hit the market for $2.69 million. Located in Nice, France, on the stunning French Riviera, the two-bedroom, four-bathroom apartment ...

In the book Prestiges de Matisse, fellow artist André Verdet reveals the genesis of the work lies within a collection of drawings. “I first of all drew the snail from nature,” Matisse told ...

Matisse Thybulle on defending Luka Doncic: "You really don't slow him down, because he moves at a snail's pace. It's just being physical with him, because he's such a big guard.

Matisse first plotted out that painting in scissor-cut paper, full-scale elements that he moved around on the floor to arrive at the final composition.

Nothing readied me for the visual thunder, physical profundity, and oceanic joy of Henri Matisse: The Cut-Outs at MoMA. In The Cut-Outs, Matisse found the artistic estuary he’d always been ...

Henri Matisse's 'The Snail' will inspire your children to create their own pictures, while exploring colour and mathematical language, says Helen Shelbourne Henri Matisse's painting 'The Snail' is an ...

Apropos T.J. Clark’s review of Matisse’s cut-outs, when I visited the show at Tate Modern before reading the review, I gazed at Snail, craning my neck from numerous angles and locations, trying to ...

Gina Mizell: Matisse Thybulle on defending Luka Doncic: "You really don't slow him down, because he moves at a snail's pace. It's just being physical with him, because he's such a big guard. The ...

Matisse too, with part of his mind, was tired of his turmoil. Painting was agitation. He said to more than one admirer late in life – no doubt intending to frighten, but still, I think, essentially ...