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All My Art Could Be an Album Cover and I Stand by It11 Things I'll Never Put in the Dishwasher Again (and Neither Should You) Protesters cling to departing ICE van as chaotic scene erupts outside S.F. immigration court ...
On last week’s episode of And Just Like That …, a fracture cracked through the delicate pottery of space and time, of life and death. In one of the episode’s many overlapping plotlines, Lisa Todd ...
Nevertheless, Young has been known to deliver a cover from time to time. Find three of our favorite Young covers below.
A new wildfire insurance program offers protection for high-value art. But is this the future—or a firewall only the rich can ...
The increased global emphasis on generative AI has forced artists and their fans to consider ethical boundaries. Tri-Cities art scenes are no exception.
When she was a little girl, Hayley Millar Baker would cover her ears with her long dark hair before falling asleep. She did ...
To protect life on Earth, we must protect the ocean. UNOC3 revealed how innovative technological advances are helping to translate knowledge into concrete action.
I'm not the only one—one commenter on Instagram wrote, "This just set us back about 5 decades," while another shared, "Excited for new music but this cover is a big no from me, dawg.
But she's coming back. Not just with a Summer single, but a full-fledged album — Man's Best Friend. She shared the news on her socials, by sharing what appears to be the cover art for the album.
The cover’s creator, Vitalie Burcovschi, described it as “art created by AI using human imagination.” But fans were quick to accuse the band of using AI that might have scraped copyrighted work.
TORONTO - Finger Eleven guitarist James Black has picked up a new instrument, one that pushes the boundaries of his visual imagination — generative artificial intelligence technology.
IDW’s “Godzilla” #1, written by Tim Seeley with art by Nikola Čižmešija, hits shelves soon. And we’ve got the reveal of an exclusive alternate cover by Art Adams. See it below.
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