On Air Now Playing WUFT 89.1/90.1 FM HD1; ... The death of legendary photographer Jerry Uelsmann at age 87 in 2022 saddened the photography world as it did fans and enthusiasts in Gainesville.

In “The Mind’s Eye,’’ at the Peabody Essex Museum in Salem, about 90 of Uelsmann’s sly, jolting and wondrous photographs provide a rewarding retrospective of a pioneering artist who used ...

Jerry Uelsmann has spent more than half a century addressing those questions, and an extensive sampling of his answers can be found in “The Mind’s Eye: 50 Years of Photography by Jerry ...

Jerry Uelsmann ranks among a handful of photographers whose images form a collective consciousness for our times. Hands tear their way free from a glowing, egg-like orb. A miniature human figure tr… ...

“I try to keep my nerve endings very fresh and alive and sensitive. If you get too intellectual while you are photographing, you can talk yourself out of anything. You look at something and s… ...

The art world labels Jerry Uelsmann a "post-visualization" photographer. But to Ansel Adams, he's "God's eighth wonder." "God created the world in seven days, but on the eighth day, he saw that ...

Since his first one-man show at the Museum of Modern Art in 1967, photographer Jerry Uelsmann's work has been exhibited in over a hundred solo shows and collected by major museums around the ...

Online learning company lynda.com has published a feature-length documentary on the contrasting creative processes of controversial artists Jerry Uelsmann and Maggie Taylor. The newest in a series ...

Scott Erickson’s Jerry & Maggie: This Is Not Photography is a sleek and insightful look into the world of surrealist photographer Jerry Uelsmann. Directed by Scott Erickson and produced by the fine ...

Pioneering surrealist photographer Jerry Uelsmann has died. The word that the iconic 87-year-old photographer had passed away began to spread around the Gainesville creative arts community late ...

Jerry Uelsmann, a photographer who ingeniously used darkroom techniques to manipulate his black-and-white pictures into surreal montages that anticipated by many years the digital image-editing ...

He did not believe that a photographer’s creativity ended with the click of the shutter; in his darkroom, he combined elements of multiple pictures to create something new.