Narrator: Here Magritte depicts himself in the act of painting. He looks at an egg but conjures a bird on the canvas. Curator, Anne Umland: Magritte, from 1932 on, had set out to apply a new method of ...

In MoMA and UNIQLO’s Art for All video series, we explore an artist’s unique approach to capturing the world around them. In this episode, filmmaker John Wilson invites us into his world, where his ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

Odessa Roberts Matsubara joined MoMA in 2017 as the Director of Human Resources and was promoted to Chief Human Resources Officer in 2018. In this role, she leads a team that supports the Museum in ...

“YOU GOTTA BE ABLE TO THINK LIKE JOHN COLTRANE TO DO WHAT I AM DOING IN PAINTING: THE LIGHT EXIST IN SHEETS, JUST LIKE COLTRANE TOLD ME.” —Jack Whitten, 2006, as quoted in Notes from the Woodshed, p.

MARINA ABRAMOVIĆ: When the war start in Bosnia, it was so difficult time for me. I was not there. I was living since long time outside of the country. And I remember so many artists immediately react ...

Artist, Marina Abramović: I had a very strict upbringing when I was a child in the former Yugoslavia. Director, Glenn Lowry: Abramović began performing in public at the age of 21. From then until the ...

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Director, Glenn Lowry: In her earlier performance, Rhythm 0, Abramović surrendered complete control to her audience as she stood impassively, next to a table with objects that they could use on her as ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

Narrator: This work belongs to a series of paintings in which Magritte paired words and images using the format of a children’s reading primer. Curator, Anne Umland: Misnaming objects was one of ...