INDIANAPOLIS — The Indianapolis Museum of Art at Newfields unveiled plans Wednesday for the largest exhibition in the museum's history. THE LUME Indianapolis will debut in June 2021. The multi-sensory ...

The Indianapolis Museum of Art at Newfields on Wednesday announced the largest exhibit in its history. It is expected to occupy the museum’s entire fourth floor starting in June 2021.

And Van Gogh, who died over 130 years ago, allows Newfields to make the leap when THE LUME Indianapolis debuts in June 2021.. The experience will be the largest exhibition in Newfields’ 137-year ...

Newfields officials worked with Grande Experience, an Australian company specializing in immersive art and large-scale exhibitions. Over five years, Newfields has researched innovative digital ...

People Newfields Director Charles Venable on Why Art Museums as We Know Them Cannot Survive. The controversial museum director explains why audiences today are turned off by Rembrandt and why ...

The Newfields Museum is the first U.S. institution to go all-in on a dedicated space in hopes to increase visitors. It is dedicating its entire fourth floor to a 33,000-square-foot virtual space ...

The Gray Market: Why Newfields, the Museum the Art World Loves to Hate, Was Inevitable (and Other Insights) ... The predominant museum exhibition standard—the sparsely hung, ...

He’s the supervisor of 300 Newfields employees, interns and fellows, including Belinda Tate, director of the Indianapolis Museum of Art, and Jonathan Wright, director of The Garden and of the ...

Newfields has hired Belinda Tate, currently executive director at the Kalamazoo Institute of Arts in Michigan, as its new museum director, the art and nature campus announced Wednesday.

Newfields, the home of the Indianapolis Museum of Art, was under fire Saturday over its job description for a new director that stated applicants would need to maintain the museum's "traditional ...

After Newfields advertised a job that described a need to attract a more diverse set of patrons while “maintaining the museum’s traditional, core, white art audience,” Venable resigned.