Few films are as striking to look at or listen to as the British film noir “The Third Man.” Its shadow-soaked black-and-white palette, artfully askew camera angles and elaborately expressive editing ...
Film historian John Walsh tells IndieWire about his new book for the noir's 75th anniversary — including David O. Selznick's 11th-hour attempts to change Carol Reed's classic. Upon its release, the ...
Talk about groundbreaking. “The Third Man” became one of the first film scores to move into popular music territory. Composer Karas played the entire thing on the zither. His “The Third Man Theme” was ...
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