Now, in the centre of an elaborate labyrinth of half-truths, faded memories, unrequited loves, and dangerous encounters with the city's ugly face lies a strange key to a mysterious keyhole ...

Lo and behold, Dan does see that face, and suddenly Mulholland Drive has threatened to make ... But, you know, he just had a ...

It turns out that the scene wasn’t shot on Mulholland Drive at all. In Room to Dream, special effects coordinator Gary D’Amico mentions a hundred-foot construction crane that was set up in ...

“You have a very nice face. Good night ... and that kills the dream.” The post David Lynch, visionary filmmaker behind ‘Twin ...

Pauline Kael, the film critic, called Lynch “the first populist surrealist — a Frank Capra of dream logic.” “‘Blue Velvet,’ ‘Mulholland Drive’ and ‘Elephant Man’ defined him as ...

Pauline Kael, the film critic, called Lynch ''the first populist surrealist — a Frank Capra of dream logic.'' ''‘Blue Velvet,' ‘Mulholland Drive' and ‘Elephant Man' defined him as a ...