The top three notes give us the b9th (Eb), the 3rd (F#) and the 13th (B). This Gmaj9 gives a nice finishing chord, meaning ...

In blues ‘dominant’ 7 chords (A7 or D7 for example) are more common than basic major ... try using the D7 shape four frets higher to create a Bm7 and F#7 progression. We've played this blues line ...

Our next exercise shows our four triads played in the second ... The following exercise is based on a common I-VI-IV-V chord progression, which has been the chord progression of countless ...