There’s been a lot of discourse over whether or not the events of A House of Dynamite are realistic. The Netflix political thriller tells the story of the United States government handling a nuclear missile attack.

The Pentagon’s decision to pull out as many as 800 troops deployed in Eastern Europe has prompted a rare, forceful pushback from congressional Republicans.

A top U.S. military official has ordered the Guards of all 50 states, the District of Columbia and U.S. territories to form “quick reaction forces” trained in “riot control,” including the use of batons, body shields, tasers and pepper spray, according to an internal Pentagon directive reviewed by The Guardian.

Parnell confirmed that all of the journalists in the newly announced “next generation” of the Pentagon press corps have agreed to the policy.

Dozens of reporters stationed at the Pentagon walked out this week and surrendered their access badges rather than sign on to new rules imposed by Defense Secretary Pete Hegseth they said would restrict how they do their jobs.

Netflix’s latest hit film A House Of Dynamite has sparked a response from the actual Pentagon.

When you imagine media in a dictatorship, you probably think of something dull and gray. Maybe a Soviet state-television program, extolling the annual harvest. Perhaps a smudgy newspaper photograph of Chairman Mao or General Pinochet, surrounded by blocks of turgid prose.

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The Pentagon is once again focused on important issues. like a Netflix film about a nuclear disaster, RadarOnline.